Content WarningUpdated requirements including proof of vaccination/negative test, and masks.
BODYTRAFFIC SFP

BODYTRAFFIC SFP

FEB 19 | Cobb Great Hall

Program

The Company

ARTISTIC DIRECTOR

Tina Finkelman Berkett

ASSOCIATE ARTISTIC DIRECTOR

Guzmán Rosado

COMPANY MEMBERS

  • Katie Garcia
  • Alana Jones
  • Pedro Garcia
  • Tiare Keeno
  • Tyeri Morrison
  • Joan Rodriguez
  • Guzmán Rosado
  • Jordyn Santiago

GENERAL MANAGER
Callen Gosselin

DANCE CAPTAIN
Tiare Keeno

PRODUCTION MANAGER
Michael Jarett

Performances

Run time is approximately 40 minutes, with no intermission.


A Million Voices (excerpts)

CHOREOGRAPHY: Matthew Neenan

MUSIC: Performed by Peggy Lee; composed by Robert Sour & Una Mae Carlisle, Johnny Mercer & Harold Arlen, C. Farrow, Irving Berlin, Mike Stoller & Jerry Leiber, Adrian Zing & Benny Goodman, Arthur Hamilton

LIGHTING DESIGN: Burke Wilmore

COSTUMES: BODYTRAFFIC

PERFORMERS: Katie Garcia, Alana Jones, Tiare Keeno, Tyeri Morrison, Joan Rodriguez, Guzmán Rosado

PREMIERE: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, California, 2018

A Million Voices is inspired by the great music of Peggy Lee. Lee’s music, in response to the political climate of her time, reminds us that even during dark times, life is worth enjoying.

This work was made possible in part by Made in Wickenburg Residency Program at Del E. Webb Center for the Performing Arts with funding from the RH Johnson Foundation, the National Endowment for the Arts, the Wellik Foundation, WESTAF, and Benner-Nawman.


PAUSE (5 min)


SNAP

CHOREOGRAPHY: Micaela Taylor

LIGHTING DESIGN: Burke Wilmore

COSTUME DESIGN: Kristina Garnett

MUSIC: James Brown

ORIGINAL MUSIC and SOUND EDITION: SHOCKEY

PERFORMERS: Katie Garcia, Tiare Keeno, Tyeri Morrison, Joan Rodriguez, Guzmán Rosado

PREMIERE: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, California, 2019

SNAP was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.

General Operating Support was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation.

SNAP was made possible with lead support by:
Renae Williams Niles & Greg Niles, Allen and Anita Kohl Charitable Foundation, Norris and Debra Bishton Foundation, Pat & Carol Kinsella, and Catharine & Jeffrey Soros.

SNAP’s costumes were generously underwritten by Harold I. Huttas & Scott A. McPhail in honor of Renae Williams Niles’ birthday.

NEFA


Bios

BOARD of DIRECTORS
Kate Beyda
Paul Lester
Rachel Webber
Lesley Wolman

ADVISORY BOARD
Jamie Bishton
Glenn Edgerton
Dale Franzen
Jane Jelenko
Glorya Kaufman
Elizabeth Levitt Hirsch
Nigel Lythgoe OBE
E. Randol Schoenberg
Chad Smith
Renae Williams Niles


REPRESENTATION
Margaret Selby
President, Selby/Artists Mgmt
(212) 382-3260 | mselby@selbyartistsmgmt.com


Follow BODYTRAFFIC

Drum TAO 2022

Drum TAO 2022

MAR 15

Buy Tickets

Policies and Services

Personal Responsibility Statement
Wharton Center offers a diverse selection of arts entertainment. Not all productions may appeal to or be appropriate for every person or for all ages. Patrons are encouraged to familiarize themselves with the shows we offer in order to make informed decisions prior to purchasing tickets.

In case of an emergency
Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations.

First Aid
See your usher or House Management Room 209 (in Grand Foyer).

Supporters and Staff

Wharton Center gratefully recognizes our Circle Members for their philanthropic contribution, our Legacy donors who have chosen to support with their estate plans, individuals and organizations that have established named endowments to support Wharton Center, and our corporate sponsors.

Wharton Center would like to acknowledge the members of IATSE local 274.