MOMIX: Alice

MOMIX: Alice

Jan 31 | Cobb Great Hall

Program

Alice Presented By MOMIX

Moses Pendleton
Founder and Artistic Director

Cynthia Quinn
Associate Director

With

  • Jared Bogart
  • Heather Conn
  • Derek Elliott Jr.,
  • Hailey Green
  • Seah Hagan
  • Oksana Horban
  • Adam Ross

The performance will run approximately 100 minutes, with no intermission.

Media Partner: Michigan Public


“Would you tell me, please. which way I ought to go from here?”
“That depends a good deal on where you want to get to.”
“I don’t much care where–”
“Then it doesn’t matter which way you go.”
—Lewis Carrol

ACT ONE: DOWN THE RABBIT HOLE
A Summer Day
Alice Down the Rabbit Hole
Pool of Tears
A Trip of Rabbits
The Tweedles
The Cheshire Cat
Advice from a Blue Caterpillar
The Lobster Quadrille
Mad Hatters
The Queen of Diamonds
The Queen of Clubs Versus The Queen of Spades
The Mad Queen of Hearts
Cracked Mirrors

ACT TWO: THROUGH THE LOOKING GLASS
There is Another Shore
Into the Woods
The Wolf-Spied-Her
Looking Through Stained Glass
Garden of Molar Bears & Other Creatures
The Mock Turtle Deflated
Trial of the Fallen Cards
Bed of Roses
Go Ask Alice

Alice Soundtrack

Des Chapeaux dans les Lapins, by Odezenne, Alix Calliet, Jacques Cormary, and Matthia Lucchini, SDRM

Cracked Mirrors and Stopped Clocks, Womb Duvet by Origamibiro, Tom Hill, Andy Tytherleigh and The Joy of Box, Two Thousand and Eleven Ribbon Music

Faster and Faster, by Tony Kinset, KMP LTD

Fortress of Doors, Fungiferous Flora, Skool Daze, Falling Down the Rabbit Hole, by Chris Vrenna & Mark Blasquez, Almo/Pink Lava

Taal Se Taal, by Alka Yagnik & Udit Narayan, A.R Rahman & And Bakshi, Tips industry Music Publishing

The Cheshire Cat, by Danny Elfman, Wonderland Music Company

Restless, by Sounds from the Ground, Nick Woolfson & Eliot Jones from the Waveform Release Brightwhitelight

The Lobster Quardille, by Franz Ferdinand, Alexander Huntley, Nick McCarthy, Paul Thompson, and Robert Hardy, Universal Polygram Intl.

Mexicali Jacquadi, by Polo and Pan, Paul Armand, Delille, Alexandre Grynzpan, EOS

1977 by, Ana Tijoux, BMG

Don't Worry, We'll Be Watching You, Smoke and Mirrors, by Gotye, Wouter De Backer, Songs of Kobalt Music

Prologue/Cherry Ripe, by Richard Hartley, He Pro Tunes, Inc.

The Sea, by Joey Pecoraro- Rough Trade Songs

Divine Moments of Truth, by Shpongle, Simon James Posford, Raja Ram, Twisted Music LTD

Requiem, by House Made of Dawn, Arcane Creative Publishing

2 Songar (Two Songs) II Vogguvis (Lullaby), by Jon Leifs, Iceland Music Information Center

Indifferent Universe, Liminalidad, Espera, by Lucrecia Dalt, RVNG Intl.

White Rabbit, by Grace Slick, Mole Music (BMI) All rights reserved

Perpetuum Mobile, by Simon Jeffes, Daniel Myer, Barbara Thopson, and Dejan Samardzic, Editions Penguin Café LTD.

About MOMIX: Alice

Conceived and Directed by Moses Pendleton

Associate Director: Cynthia Quinn

Assistant Directors: Anthony Bocconi, Beau Campbell, Jennifer Chicheportiche, Samantha Chiesa, Heather Conn, Gregory De Armond, Jonathan Eden, Matt Giordano, Sean Haga, Hannah Klinkman, Sean Langford, Heather Magee, Sarah Nachbauer, Jade Primicias, Rebecca Rasmussen, Colton Wall, and Jason Williams

Production Manager & Lighting Supervisor: Woodrow F. Dick III

Production Stage Manager & FOH Engineer: Colin Neukirch

Production Electrician: Alexa Denny

Lead Carpenter & Rigger: Lily Fontes

Music Collage: Moses Pendleton

Music Editing: Andrew Hanson

Video Design: Woodrow F. Dick III

Spider Puppet Design: Michael Curry

Costume Design: Phoebe Katzin

Costume Construction: Phoebe Katzin & Beryl Taylor

Ballet Mistress: Victoria Mazzarelli

Research Consultant: Philip Holland

Communications Manager: Quinn Pendleton

Company Manager: Paula Budetti Burns

This production of Alice has been funded, in part, by a contribution from Next Move Dance.

MOMIX, a company of dancer-illusionists founded and directed by Moses Pendleton, has been presenting inventiveness and physical beauty for more than 40 years. From its base in Washington, Connecticut, the company has developed a devoted worldwide following. In addition to stage performances, MOMIX has also worked in film and television, as well as corporate advertising, with national commercials for Hanes and Target, and presentations for Mercedes-Benz, Fiat, and Pirelli. With performances on PBS's "Dance in America" series, France's Antenne II, and Italian RAI television, the company's repertory has been beamed to 55 countries. The Rhombus Media film of Mussorgsky's Pictures at an Exhibition with MOMIX and the Montreal Symphony was the winner of an International Emmy for Best Performing Arts Special. MOMIX was also featured in IMAGINE, one of the first 3-D IMAX films released in IMAX theaters worldwide. MOMIX dancers Cynthia Quinn and Karl Baumann, under Moses Pendleton's direction, played the role of "Bluey" in the feature film F/X2, and White Widow, co-choreographed by Pendleton and Quinn, was featured in Robert Altman's movie The Company. With nothing more than light, shadow, fabric, props, and the human body, MOMIX continues to astonish and delight audiences on five continents.

MOMIX
PO Box 1035 Washington, Connecticut 06793
1-860-868-7545 I info@momix.com I www.momix.com

Representation
Margaret Selby - Selby Artists/Management 262 West 38th Street, Suite 1701 New York, NY 10018 1-212-382-3260
mselby@selbyartistsmgmt.com I SelbyArtistsMgmt.com
#MOMIXALICE

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Personal Responsibility Statement
Wharton Center offers a diverse selection of arts entertainment. Not all productions may appeal to or be appropriate for every person or for all ages. Patrons are encouraged to familiarize themselves with the shows we offer in order to make informed decisions prior to purchasing tickets.

In case of an emergency
Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations.

First Aid
See your usher or House Management Room 209 (in Grand Foyer).

Supporters and Staff

Wharton Center gratefully recognizes our Circle Members for their philanthropic contribution, our Legacy donors who have chosen to support with their estate plans, individuals and organizations that have established named endowments to support Wharton Center, and our corporate sponsors.

Wharton Center would like to acknowledge the members of IATSE local 274.